The two legends discuss playing and tweaking sounds in the Roland V71 module, studio history, and why it all starts with the drummer.
Before the legendary producer was a household name, Steve Albini used the TR-606 to achieve the punishing drum sounds of “I’m a Mess.”
Mr. Tuna is a synth master from British Columbia whose converted barn serves as his studio. His social media savvy makes him an online star.
Energetic, accomplished, and ambitious, BricksDaMane is one of the most prolific and in-demand producers in hip-hop.
The Tokyo-based Takahashi shares his craft, inspiration, and aspirations toward building more deeply integrated man-machine interfaces.
Seattle-based electronic music producer, Alda Agustiano—aka Chong the Nomad—knows how precious a single note can be.
From “Voodoo Ray” to blueprinting the jungle genre with “Black Secret Technology,” A Guy Called Gerald pushes the boundaries of electronic dance music.
DoNormaal rose to local fame in Seattle with her effortless-yet-determined rapping style and evocative, eye-catching live performances.
“Love Lockdown” by Kanye West utilizes the Roland TR-808, the heartbeat of electronic music production since the early 1980s.
Cerebral one moment, floor-shaking the next—Brian Lindgren’s project confounds notions of how an electronic release should sound and feel.