The Aerophone is easy to use, fun to play, and provides many learning opportunities. Learn why it's popular with new and seasoned players.
The Roland Aerophone is a convenient, low-maintenance way to spend more time on your music. Learn to care for this digital wind instrument.
Hailey Niswanger is a woodwinds force of nature. Follow her path from Berklee to playing with Demi Lovato and on Beyoncé’s “Black Parade.”
Reading music can seem complex, but it is a skill that opens up new doors. Discover how the Aerophone can help you gain this musical ability.
A good DJ set is like a story with ups and downs and twists and turns. Here are a few tips to help you create an engaging set and nail it.
Moods, aka Nick Lubbersen, added a live band to his trademark electronica for his latest release. He discusses using the JUNO-6 on the album.
All you need is a DAW and Roland Cloud to record a polished demo. Here’s a step-by-step guide to getting started.
Songwriter James Fauntleroy shares exclusive thoughts on the songwriting process behind creating hit songs with a range of artists.
Australian producer LUCIANBLOMKAMP walks us through the process behind creating the track for 6LACK’s smash hit “In Between."
Acclaimed musician Sam Gendel took the AE-30 to Iceland to create an album and documentary. Learn how the Aerophone Pro inspired the project.
Hailey Niswanger is a woodwinds force of nature. Follow her path from Berklee to playing with Demi Lovato and on Beyoncé’s “Black Parade.”
Roland uses a “V” to indicate instruments embodying a specific set of virtues. Learn about the engineering process culminating in V-STAGE.
From controlling software synthesizers to acting as an audio interface, Creative Hub will help you utilize FANTOM as a studio nerve center.
Break down the techniques to create 303-based sounds, complete with step-by-step programming tips and real-world track references.
Learn to use DJ Pierre's Phuture Collection, patches and patterns for the TB-303, TR-707, and TR-727 designed by the artist who invented acid.
At Red Rocks Amphiteatre, Mark Knopfler's musical director Guy Fletcher and keyboardist Jim Cox walk us through their keyboard rigs.
