In 1982, a new synth dynasty set the tone for the ’80s and beyond. Discover the sonic and cultural impact of the Roland JUNO-60 in these stories.
“Sample Talk” is a unique track that discusses the concept of sampling. Learn how Lance Skiiiwalker created it with help from the JUNO-60.
On the eve of Meltdown Festival, John Grant discusses his adopted home, the Grace Jones-curated event, and the Roland Facet grand piano.
Jacknife Lee has produced U2, REM, The Killers, Snow Patrol, and more. Still, his hunger for innovation means he never rests on his laurels.
“The Bay” has a sun-drenched video and JUNO-60 hooks galore. Metronomy’s Joseph Mount explains why it’s easy to love but wasn’t easy to make.
“Caribbean Blue” by Enya is a tapestry of layered vocals over a bed of JUNO-60 pads. Its sounds evoke the pull of nature on the human psyche.
With a JUNO-60 and an army of Roland samplers, Animal Collective created an unforgettable melodic kaleidoscope: “My Girls.”
“Blue Drive” moves like a meditative improvisation, with no calculated beginning or end. Oneohtrix Point Never guides us using the JUNO-60.
Talk about ’80s music, and a-ha’s era-defining hit single “Take On Me” comes to mind. Get the story of this classic and the JUNO-60’s role.
From The Hooters to Cyndi Lauper, Rob Hyman has great timing. Discover how the JUNO-60 helped craft classic songs and capture magic moments.
Starkly beautiful, “Can You Feel It” is an iconic piece of 20th-century dance music. Mr. Fingers created it solely on the JUNO-60 and TR-909.