The RD Road: A History of Roland Stage Pianos Ari Rosenschein July 22, 2024 Roland has always worked to create the ultimate electronic piano feel and sound. Dive into the history of the RD family of stage pianos. Read More »
DWe in Europe Ari Rosenschein June 27, 2024 With its groundbreaking design, DWe represents an entirely new experience for drummers. Discover where to find DWe in Europe Read More »
Roland Engineering: Piano Reality Ari Rosenschein June 19, 2024 Roland engineers from across multiple disciplines shed light on this groundbreaking new approach to piano sonics. Read More »
Careers in Music: Steve Levine on Scoring for Video Games Ari Rosenschein June 18, 2024 The legendary producer shares his workflow, differences between working on games and albums, and tips for young composers. Read More »
A Few Minutes with Kasper Bjørke Ari Rosenschein May 24, 2024 The artist/producer gives us the scoop on evoking the spirit of ’00s NYC, experiencing early success, and whether music is a riddle we can solve. Read More »
Careers in Music: Jeff Rona on Composing for Film, TV, and Video Games Ari Rosenschein May 23, 2024 The legendary composer reflects on lessons he’s learned in scoring, seminal moments in musical technology, and what makes a powerful cinematic theme. Read More »
Sound Behind the Song: “Axel F” by Harold Faltermeyer Ari Rosenschein April 16, 2024 “Axel F” is the inescapable theme song of the classic ’80s romp Beverly Hills Cop. Learn about the oddball hit and its pioneering creator. Read More »
A Few Minutes with Jane Weaver Ari Rosenschein April 5, 2024 Jane Weaver’s latest album is a self-contained universe. The artist discusses shaking up her studio process, cinema, and the groove. Read More »
Underground Resistance, Submerge, and the Detroit Way Ari Rosenschein February 29, 2024 Museum, artist incubator, distro, and record store—Submerge and Underground Resistance represents the interconnected Detroit music community. Read More »
A Few Minutes with Maya Shenfeld Ari Rosenschein January 31, 2024 The composer uses everything from a youth choir to the MC-202 to bridge the gap between electronic and organic, ancient and futuristic. Read More »